Iâm a historian who wrote a book on antifascism. In a way, I decided to write a book on the history of antifascism because I thought it was a good way to make sense of the history of fascism. Something along the lines of: Nobody knows you like your worst enemies. But I also thought that more books on the history of antifascism itself would be a good thing. There are many books on fascism and relatively few on anti-fascism. Ultimately, I decided to write Everything Is Possible because I thought that the first antifascists had useful lessons to share about how to turn the world toward something better than the one youâve been given.
I wrote
Everything Is Possible: Antifascism and the Left in the Age of Fascism
This ferocious little book is brilliant. Itâs as much about how to fight fascism as it is about fascism itself, but itâs still a good place to start figuring out how the fascists came to power in Italy.
The key thing to grasp, Behan insists, is that there was nothing inevitable about Benito Mussoliniâs rise (hence the âresistibleâ in the title, which is also a clever homage to Bertolt Brechtâs classic antifascist allegory, his 1941 play The Resistible Rise of Arturo Ui). Behanâs big point is that if the foes of early Italian fascism had all worked together and resisted, they could have smashed fascism before it got going.
In 1920 Italy was on the verge of a socialist revolution. Just two years later Benito Mussolini's fascists took power and ushered in an era of repression, war and, ultimately, genocide. In this enthralling book Tom Behan shows how a group of militant anti-fascists came close to stopping Mussolini and changing the course of history. Tragically, their bravery was undermined by a combination of the left's sectarianism and naive faith in the impartiality of the police. "An important and detailed analysis of a period of Italian history which is often ignored" - WSF
This is a dazzling mix of theory, sociology, and history. Falasca-Zamponi is attentive to the myths, rituals, festivals and ceremonies, symbols, and recurring images of Italian fascismâand she is attentive, too, to the political power that Mussolini relentlessly drew from such cultural forms.
With tremendous analytical imagination, Falasca-Zamponi unpacks the significance of the fascist salute, Mussoliniâs balcony poses, all the axe-and-bundle imagery, those omnipresent black shirts, and the fascistsâ distinctive âpasso romanoâ marching style. For me, the heart of the book is its intense analysis of fascist violence as spectacle. Not just spectacle, though. Falasca-Zamponi also makes the case that for the early fascists violenceââgreat, beautiful, inexorable violence,â in Mussoliniâs wordsâwas sublime, regenerative, glorious, salvific.
The early fascists made violence, Falasca-Zamponi suggests, as if it were art.
A cultural history of Italian fascism, this work traces the narrative path that accompanied the making of a regime and the construction of Mussolini's power. The author reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi aregues that an aesthetically founded notion of politics guided fascist power's historical unfoundingâŚ
Marriage and Fatherhood in the Nazi SS
by
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies â admittedly, that is a catchy title, but thatâs not exactly what my book is about. SS babies would be slightly moreâŚ
This is a wonderful book attentive to the cultural dimensions of fascism.
It is also a good book for making sense of fascismâs global attraction. Within a few years of its creation in Italy, fascism began to attract adherents around the world. To give just a few examples, there were Goldshirts in Mexico, Grayshirts in South Africa, Blackshirts everywhere from Kenya to the United States, and Greenshirts in Egypt and France. In Ireland were Blueshirts. And in China there were Blueshirts as well.
In Revolutionary Nativism, the historian Maggie Clinton details the Chinese Blueshirtsâ ideological vision of exclusionary nationalism, hyper-modernist regeneration, and military authoritarianism.
The Blueshirtsâ attempts to realize their vision, Clinton writes, amounted to a âCultural Revolution from the Right.â
In Revolutionary Nativism Maggie Clinton traces the history and cultural politics of fascist organizations that operated under the umbrella of the Chinese Nationalist Party (GMD) during the 1920s and 1930s. Clinton argues that fascism was not imported to China from Europe or Japan; rather it emerged from the charged social conditions that prevailed in the country's southern and coastal regions during the interwar period. These fascist groups were led by young militants who believed that reviving China's Confucian "national spirit" could foster the discipline and social cohesion necessary to defend China against imperialism and Communism and to develop formidable industrialâŚ
Ask some historians of fascism what book in English they recommend as an introduction to the subject, and, Iâd guess, most will recommend Robert O. Paxtonâs classic 2004 book-length essay, The Anatomy of Fascism.
Fair enough, but to my mind it is Paxtonâs earlier monograph French Peasant Fascismthat is his outright masterpiece of historical writing.If youâve read The Anatomy of Fascism, thereâs also the joy of seeing Paxton, in French Peasant Fascism, working out the ideas and themes that animate the later, better-known book. To understand the rightwing Depression-era French farmers known as the Greenshirts, Paxton argues, donât focus so much on their official programs and doctrinal declarations, but rather watch them in action.
Watch them as they act out their ideology, at the market-day rally or when the taxman comes.
French Peasant Fascism is the first account of the Greenshirts, a militant right-wing peasant movement in 1930s France that sought to transform the Republic into an authoritarian, agrarian state. Author Robert Paxton examines the Greenshirts in five case studies, throwing new light on French rural society and institutions during the Depression and on the emergence of a new rural leadership of authentic farmers. Paxton points out that fascism remained weak in the French countryside because the French state protected landowners more effectively than did those of Weimar Germany and Italy, and because French rural notables were so firmly embedded inâŚ
Pete West, a political columnist, travels to Prague to find a missing diplomat, later found murdered. He attempts to discover more about a cryptic note received from the diplomat and is immediately entangled in the secret Bilderberg Clubâs strategy to form a world federation.
Enzo Traverso is a gifted thinker, the sort who doesnât simply change his readersâ minds but rather reshapes how they might even begin to perceive the world around them.
He offers his readers intense, tragic, and peculiarly inspiring visions of the modern world. In The New Faces of Fascism, Traverso considers the twenty-first century radical right, the right of Ăric Zemmour, the âgreat replacement,â MAGA, the Golden Dawn, and Brexit. Unlike simplistic critiques posing the new right as the âreturnâ of fascism, Traversoâs method for understanding the new right begins with the recognition that it âinevitably awakens the memory of fascism.â Fascism haunts our world. It is a ghostly presence in the present.
Read New Faces of Fascism alongside From Fascism to Populism in History, written by another of the great present-day historians of fascism, Federico Finchelstein, and feel the press of the past on the politics of today.
What does Fascism mean at the beginning of the twenty-first century? When we pronounce this word, our memory goes back to the years between the two world wars and envisions a dark landscape of violence, dictatorships, and genocide. These images spontaneously surface in the face of the rise of radical right, racism, xenophobia, islamophobia and terrorism, the last of which is often depicted as a form of "Islamic fascism." Beyond some superficial analogies, however, all these contemporary tendencies reveal many differences from historical fascism, probably greater than their affinities. Paradoxically, the fear of terrorism nourishes the populist and racist rights,âŚ
Everything Is Possible is a history of antifascism, focused on its golden ageâthe years from antifascismâs origins to the Spanish Civil War of 1936-1939. When fascists started terrorizing working-class neighborhoods in Italy in the early 1920s, young locals organized themselves as the Arditi del Popolo and fought back. When fascists marched through New York on Memorial Day 1927, young locals punched them. When Nazis started beating up Jewish people in Germany, young working-class antifascists joined a group called Antifa and fought against fascism until the authorities banned their organization. When Brazilian fascists held a rally in SĂŁo Pauloâs central square in 1934, local antifascists ambushed them. And so on. Soon enough, antifascism had become a global cause.
The Pianist's Only Daughter
by
Kathryn Betts Adams,
ThePianist's Only Daughter is a frank, humorous, and heartbreaking exploration of aging in an aging expert's own family.
Social worker and gerontologist Kathryn Betts Adams spent decades negotiating evolving family dynamics with her colorful and talented parents: her mother, an English scholar and poet, and her father, a pianistâŚ
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctorâand only womanâon a remote Everest climb in Tibet.